If you don’t need pedal markings to appear 
 in your score, but want to add the use of the sustain pedal to the playback 
 of your score, you may find the following method faster than the Expression 
 method.
        Human Playback must be set to None to hear 
 sustain indications added with the MIDI tool. See Playback Settings dialog box for 
 Details.
        
        
            - Click the MIDI tool  
. The MIDI tool 
 menu appears. 
            - Double-click the measure in which you want 
 the pedal to be “pressed.” The MIDI tool split-window 
 opens.
 
            - Choose MIDI tool > Edit Continuous 
 Data. The View Continuous Data dialog box appears, in which you 
 can select a controller whose data you want to edit.
 
            - Click OK (since Sustain Pedal is already selected). 
 You return to the MIDI tool split-window, 
 where the display has changed. On the left side you see a scale of controller 
 values—in this case, sustain pedal values—from 0 (pedal up) to 127 (pedal 
 down). The sustain pedal is called a noncontinuous controller, because 
 its value can’t change smoothly over time (like pitch wheel data can). 
 You’ve either pressed the pedal (value 127) or released it (value 0). 
 Unless you’ve already created pedaling using the MIDI tool (or by capturing 
 a Transcription Mode performance that included use of the sustain pedal), 
 the window is empty.
 
        
        Pedaling will appear in this window in 
 bar graph form. In the example below, the pedal was 
 depressed just after the second beat of measure 1, and released just after 
 the fourth beat:
        
            
        
        Controller information is independent of 
 the actual notes being played—you can press the pedal even during a measure 
 of rests, if you want. Therefore, you specify where you want to insert 
 a “pedal down” message (or another noncontinuous controller, or a patch 
 change) by dragging through a sliver of the graph area.
        
            - Drag through a small horizontal “slice” at 
 the beginning of the graph area, as shown. Keep in mind that the 
 actual pedal usage will occur at the beginning of the region you select 
 (indicated by the arrow in the figure below). It really doesn’t matter, 
 therefore, how much of the window you highlight; the pedaling message 
 will be inserted at the far left edge of your highlighted region.
 
        
        
            
        
        
            - Choose MIDI tool > Set To. 
 The Set To dialog box appears. Remember that to create the “pedal down” 
 message, you need to set the pedal’s MIDI value to 127.
 
            - Type 127. Click OK. You return to the 
 MIDI window. Suddenly the entire graph area is black. That’s because you’ve 
 just inserted a “pedal down” message without any corresponding “pedal 
 up” message. Therefore, your synthesizer will think that the pedal is 
 being pressed during the entire piece.
 
            - Drag through a small region of the graph area 
 at the point where you want the pedal released. If the pedal release 
 point isn’t in the same measure, click the right arrow button to scroll 
 the music display. Remember that the “pedal up” message will fall at the 
 beginning of your selected region.
 
            - Choose MIDI tool > Set To. Click 
 OK. You don’t have to enter a number, because the default value 
 is already zero. When you return to the window, click anywhere except 
 in the graph area to remove the selection highlighting.
 
            - Click the MIDI tool to close 
 the MIDI tool split-window. Once you’ve created one complete usage 
 of the pedal, as you’ve just done, you don’t have to create it again in 
 other measures that should contain a similar pedaling pattern. You can 
 simply copy the pedaling from measure 1 into other measures. See To copy or erase 
 captured (or edited) MIDI data.