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Once you’ve either captured MIDI data or edited MIDI data in the score (using the MIDI Tool), you can either copy this MIDI data to other parts of the score or erase it completely from a selected region. For example, if you’re creating a piano piece in which the sustain pedal should be pressed at the beginning of each measure and released at the end, you only have to create this pattern of MIDI controller data once using the MIDI Tool. Thereafter, you can simply copy the “pedaling” data from that one measure to any other measures in the score.
When you “erase” MIDI data, you’re erasing variations from the default value of the particular MIDI data you’re editing. For example, if you erase Key Velocity data from a region, you’re effectively restoring the default velocity value (such as 64) to every note in the region. (You set this default velocity value in the Base Key Velocity box [choose Playback Controls from the Windows menu, click the speaker icon].) Similarly, if you erase Note Duration (Start/Stop Time) data from a region, you’re erasing the difference between the notated attacks and releases of the notes and the actual attack and release points (as recorded in HyperScribe or edited with the MIDI Tool). In short, you’re restoring the playback of the selected region to a straightforward, “perfect” rhythmic feel.
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